Born in Hungary in 1892, Nickolas Muray immigrated to the United States in 1913, working first as a printer and then opening a photographic portrait studio in
Greenwich Village in 1920. He became well known for his celebrity portraits, publishing them regularly in Harper’s Bazaar, Vanity Fair, Vogue, Ladies’ Home Journal, and The New York Times. After 1930, Muray turned away from celebrity and theatrical portraiture, and became a pioneering commercial photographer, famous for establishing many of the conventions of color advertising. He is considered the master of the three-color carbro process.
A colorful and charismatic character, Muray was a pilot, a member of the
US Olympic fencing team, and the long-time lover of Frida Kahlo, whom he regularly photographed in some of his best-known work. He was a distinguished art collector, best known for his collection of twentieth-century Mexican paintings, and a regular columnist for the magazine Dance.
In 1974, Muray’s archive was donated to George Eastman House.
It includes approximately 25,000 images including photographic prints, negatives, transparencies and advertising tear sheets.
The photographs in this set are examples of Muray’s commercial advertising work. George Eastman House obtained permission to share these images on The Commons from the Estate of Nickolas Muray.